The real object withdraws, hides behind layers of built up material. Obscured by sensual facades it uses to interact with the world. Amorphous shapes familiar but ambiguous and unknown at the same time. Stripped of literal interpretation they are unknown, unchangeable. The static quality that permeates through the abstract in pattern and rhythm give it form and structure, rules that govern and contract. This is the essence of the unified object withdrawn, hidden and unknown, unable to interact. Unknown yet known.
The sensual object plays in depictions that press out from the surface. Each translated from object, to creator, to inter-actor in a continuous cycle of time. Gaining new permutations and meaning with each new inter-actor and drawing from them for their continued existence. They have a tentative momentary relation with the abstracted withdrawn forms they overlap. Interacting indirectly, playing within the same space yet able to be removed entirely with little consequence while still holding their own form and structure and contiguity. Mobile yet imobile.